Gamma can be described as how smoothly black transitions to white on a digital display. It is often associated with a number like 2.2 or 2.4, and this number represents the curvature of the curve from black to white, or from white to black.
Multi-monitor setups have become a key asset in the quest to improve workplace productivity. Workers are able to focus on more tasks at a time, make fewer mistakes, and have improved focus. But with a larger work area, what is the best way to ensure proper lighting?
Digital Light Processing (DLP), awarded 2015 Academy Award of Merit (Oscar®statuette), is the leading projection technology used in 90% of world's digital cinemas and 100% of IMAX theaters. DLP powers next-generation 3D gaming devices, high tech heads-up telematics, and of course the most impactful projectors on the planet. With DLP dominating the worldwide projector market with over 50% share, BenQ is today the #1 bestselling DLP projector brand, delivering unmatched world-class performance.
Designers such as graphic designers, multimedia designers, web designers and other creative professionals who create visual concepts by using computer software need color management. Color management can help them communicate more effectively.
Being able to achieve consistent colors across different devices and media is a big challenge, and color management is designed to deliver this consistency
True colors evoke feelings of sorrow, joy, romance and thrills by preserving the original image. BenQ home cinema projectors embody our belief to “Convey the truest color and impart the deepest feelings to the viewer.” Our THX and ISF dual-certified engineers deliver 100% Rec. 709 color gamut for perfect color consistency. Our top projectors achieve the DCI-P3 wide color gamut, and only BenQ provides calibration reports, proving Delta E* performance less than 3 to reproduce authentic colors of Hollywood films.
Photographers are used to browsing the photo on the camera screen right after snapping a picture. However, we will still upload the captured images to a computer, then select images we would like to keep, and edit them on a large monitor. Have you ever thought about this? Can the monitor reflect the exposure and color of a retouched image in the way you expected?